Irish Conference of Historians report

ICHSThe Women’s History Association of Ireland contributed towards my participation at the 32ndIrish Conference of Historians at University College Cork, April 26th-28th2018. This year’s conference theme was, ‘Sex, Sexuality and Reproduction: Historical Perspectives’. The conference included a broad range of panels covering topic’s such as: ‘eugenics and feminism’, ‘maternal bodies’ ‘infanticide, foundling hospital and social purity work’, ‘pornography’, ‘sex advice’, and ‘LGBT Irish history’, amongst many others. Renowned scholars in the field of sexuality and feminism: Ruth Mazo Karras, Sheila Rowbotham, Michael G. Cronin and Jeffrey Weeks provided four stimulating keynote lectures. Their lectures covered topics such as ‘The myth of masculine impunity: male adultery and repentance in the Middle Ages’, ‘Doing Sexual History’ and ‘Sex, class and hegemony in twentieth-century Ireland’.

Two particularly interesting papers were Judy Bolger’s ‘Breastfeeding in nineteenth-century Ireland’ and Rachel Bennett’s ‘Inmates of an entirely different class’: regulating the maternal body in the nineteenth-century Irish prison. Bolger’s paper sought to determine whether upper – and lower-class women in nineteenth century Ireland had similar or different breastfeeding experiences. Bolger concluded that upper-class Irish women were afforded flexibility in their mothering abilities as their decision to breastfeed was often based upon personal choices. While, lower-class, or poor Irish women’s innate ability to mother was often capitalised on through the employment of wet-nursing, this in turn, Bolger argued, meant that lower-class women’s decision to breastfeed was often for financial reasons, rather than maternal responsibility. Bennett’s paper explored what it was like to be pregnant, to have a baby and to be a new mother in a nineteenth-century Irish prison. Bennett concludes that the maternal body was a source of concern for the authorities but also a vehicle for resistance on the part of the prisoner as it could act as a barrier to discipline. These papers and the many others presented resonated quite strongly with current debates and events in Irish society today. In particular, Linda Connolly’s ‘Abortion Politics in the Republic of Ireland, 1970-2018’, and Ciara Molloy’s, ‘The Politics of Rape in 1980s Ireland’.

My paper, entitled; ‘The circumstances peculiar to organising gay people in the West are indeed a quare lot’: Gay and Lesbian Activism in 1980s Galway’ was presented on the third day of the conference as part of the panel, ‘Queering Irish History: revealing, persevering and sharing LGBT histories’. The paper focused on the hitherto ignored activities of provincial gay and lesbian activists in 1980s Galway. By focusing on Galway, my paper made two key arguments. Firstly, it sought to demonstrate the extent to which lesbian women were not passive agents in the efforts to improve the situation of Irish gay and lesbian citizens pre-1993 and decriminalisation of sexual activity between males. Rather, they were active agents in seeking to provide a social space for gay and lesbian individuals to meet others like themselves and become more confident in their sexuality. This, I argue, has been ignored in Irish historiography as an important form of resistance and activism, which contributed to the wider recognition and toleration of homosexuality in the latter period of the twentieth century in Ireland. Secondly, the paper sought to move the current narrative on Irish LGBT history outside of Dublin to include provincial regions where resistance and activities were taking place to challenge the discrimination of Ireland’s homosexual community. Only by broadening the current narrative, particularly to include the other forms and locations of resistance can we really begin to contextualise the dramatic transformation in attitudes towards LGBT citizens in Ireland in the recent years.

The conference provided a wonderful opportunity for scholars of sex, sexuality and reproduction, to meet and discuss topics which hitherto have been marginalised in Irish historiography. This conference may well mark a watershed moment in bringing greater attention to these issues and further contribute to the promotion of research/collaborations in these areas, and with it our understanding of Irish history. In particular, as a scholar of Irish Queer history, I was extremely pleased to be part of a panel which explored some of Ireland’s LGBT (hidden) history. In particular, topics such as gay fathers in Ireland, Ireland’s transgender community, gay and lesbian activism in Cork, and queer identities on Irish documentary film. Two documentaries shown at the conference, Outitude and A Different Country, offered viewers an insight into life as an LGBT citizen in twentieth century Ireland, discussing issues such as identity, homophobia, activism, and community. The study of Ireland’s LGBT history is still in its infancy, but this year’s conference has brought a wider attention to its significance and place in twentieth-century Irish historiography.

The Irish Committee of Historical Sciences, along with its many constituent societies, and the organising committee, in particular, Donal O’Driscoll deserve our appreciation and thanks for putting together such an important conference, which has given a voice to many hidden histories. I would also like to thank the Women’s History Association of Ireland for providing me with a bursary to attend this conference. The WHAI was strongly represented at the conference with a number of its members presenting papers.

Patrick James McDonagh

European University Institute, Florence

 

Thesis-in-three symposium

The WHAI Thesis-in-Three Symposium will take place at University College Cork on 23 March 2018 between 3.15 and 5pm. Postgraduates/early career academics working on women’s/gender history are invited to give a 3 minute presentation about their research using a maximum of 3 PowerPoint slides.
If you are interested in participating, please contact Elaine Sugrue, WHAI Postgraduate Representative, at e.m.sugrue@umail.ucc.ie by 19 February 2018.

WHAI Spring Seminar 2018: New Directions in Early Modern Irish Women’s History

The WHAI is delighted to announce its annual Spring Seminar which will take place at the Moore Institute, NUI Galway on Friday 16 February 2018 between 11am and 5pm.

Keynote addresses will be delivered by Professor Mary O’Dowd (QUB) and Professor Jane Ohlmeyer (TCD).

The seminar is free to attend but advance registration is necessary.

To register via Eventbrite, click here.

For more information and to view the programme, click here.

Anna Parnell Travel Grant Awardee Report: Angela Byrne

Anna Parnell Travel Grant Awardee Report: Dr. Angela Byrne

Research Trip to London

Rathcooney_N_wall

– Graveyard in Rathcooney, Co. Cork where Anna Maria Chetwood’s father, Revd John Chetwood, is buried. He was rector of that parish until his death in 1814. Photo: Angela Byrne.

The WHAI Anna Parnell Travel Grant funded a five-day research visit to London in September 2017, where I consulted archival material in the British Library and Senate House Library, University of London.

My research is on Anna Maria Chetwood and her extended social circle of Anglo-Irish writing women. The circle had a strong Cork connection, as Chetwood was born and raised near Glanmire, and was a friend and sister-in-law of Martha and Katherine Wilmot, who are best known for their posthumously published accounts of their residence in Russia in 1803–08. The circle was varied, and included Margaret King, various genteel women living in Munster, and Anglo-Irish families who had removed to Clifton near Bristol.

My first task was to search for further evidence relating to the authorship of two anonymous novels – Blue Stocking Hall (first published 1827; 2nd edition 1829) and Tales of my Time (1829) – both of which were published by Henry Colburn. The authorship of these works has been in question since the time of their publication, having previously been commonly attributed either to Barbarina, Lady Dacre or to the Unitarian minister William Pitt Scargill, even though in 1839 the Cork antiquary John Windele publicly identified Anna Maria Chetwood as the author of Blue Stocking Hall, and indicated that she may have written other novels. However, Windele’s short account of Chetwood’s life was rife with errors, so his attribution of the novels to Chetwood cannot be taken as accurate. The vast archives of the Bentley and Colburn publishing house can be consulted on microfilm in the BL. While the collection has been indexed, the index is not without gaps. The archive is extremely patchy for the period prior to 1829, but I did find evidence that helps to clarify the authorship question. I am still analysing this material and it must be considered in conjunction with other evidence, so I am reluctant to draw any firm conclusions for the purpose of this short report. My findings will, in due course, be published in a journal article.

thumbnail_Martha Wilmot

– Portrait of Martha Wilmot, taken in Russia by an unknown artist. First published in E. Stewart and H.M. Hyde (eds), The Russian Journals of Martha and Katherine Wilmot (London: Macmillan, 1934). 

Chetwood also wrote poetry, and her talent seems to have been valued by those close to her. Her unpublished poems survive as part of the Wilmot collection in the Royal Irish Academy, and in a commonplace book held at Senate House Library. This commonplace book belonged to Elizabeth Wilmot, née Chetwood – Anna Maria’s sister, and sister-in-law to the Wilmots by marriage to their brother Robert. The book’s 135 leaves brim with original compositions as well as excerpts from the works of celebrated Irish poets of the day, including Thomas Moore and Eyles Irwin. The book is also of interest as an intergenerational and extra-familial conversation, with original contributions from Elizabeth, Anna Maria, and their father, as well as pieces by friends of the extended family, including at least half-a-dozen original pieces by Frances Sally Irwin, daughter of Eyles Irwin. Elizabeth copied most of the content into the book herself. Some of the pieces were epitaphs for friends and family, such as Chetwood’s brother John (1779–1805); Anne Christian, Baroness Hompesch (1775–1803), “written at the request of the Baron”; and James Currie, biographer of Robert Burns and likely a friend of Chetwood’s father, Reverend John Chetwood, a man of literary turn in his own right. One of the most interesting of Chetwood’s compositions is an epitaph “To the Memory of the Late Unfortunate Robert Emmet” – Chetwood and the Wilmots were friends of Sarah Curran, and Chetwood’s father wrote her epitaph upon her untimely death in 1808.

My ongoing research will not only establish the extent and importance of Chetwood’s network, but will also correct some serious and repeated errors in Chetwood’s biography. I have established her (heretofore unknown) dates of birth and death (7 Feb. 1774–12 Dec. 1870), and can remove the tentative parentheses placed around her given names in the Dictionary of Irish Biography. I have ascertained that she never married, and that she lived in Cheltenham from at least 1833, until her death. Contrary to John Windele’s oft-repeated assertion of 1839, Chetwood never travelled to Russia as a guest of Princess Ekaterina Romanovna Dashkova – that wonderful experience belonged to Martha and Katherine Wilmot. I hope that my research will correct the record of Chetwood’s life and literary imagination, to add a forgotten and misrepresented author to the existing bibliography of Irish women writers – and one whose corpus of work has so much to say about the political, literary, and aesthetic concerns of a rural but internationally well-connected group of nineteenth-century Anglo-Irish writing women.

London is expensive, so I opted to stay in the YHA hostel on Euston Road, directly across from the BL. In addition to the hostel’s affordability and convenient location, the other guests in the dorm proved pleasant company, and I shared Chetwood’s story with them. Sincere thanks to the WHAI for their support in making this research possible.

Dr Angela Byrne is Research Associate in History at the School of Arts and Humanities, Ulster University.

 

About the Women’s History Association of Ireland

WHAI LogoWelcome to the website of the Women’s History Association of Ireland (WHAI). Founded in 1989, the aim of the WHAI is to promote research into the history of women in Ireland. We are an all-island body and our membership is open to anyone, inside or outside of Ireland.

The WHAI sponsors an annual conference and circulates regular news bulletins to members about upcoming publications, conferences, seminars and other events related to the field of women’s history. You can browse our previous conferences on our website. Members enjoy access to the e-bulletins and reduced registration fees at WHAI events. Members are also eligible to enter our essay and travel grant competitions. We also review books of relevance to our membership. Please get in touch if you have published in the area and would like your book to feature. The WHAI is affiliated to the International Federation for Research in Women’s History.

See further details on our events on our Facebook page.

Our next event is our Spring Seminar: New Directions in Early Modern Irish Women’s History, taking place at the Moore Institute, NUI Galway on 16 February. For more information click here.