Photo Credit: The O’Halloran Sisters, National Library of Ireland.

Welcome to the Bibliography of Irish Women’s History

Compiled by the WHAI in partnership with the Department of History University of Galway, this ever-growing bibliography brings together works in Irish gender and women’s history – over 1300 at present. The project has been made possible thanks to funding from the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media and is part of the Decade of Centenaries programme of events. It was initially proposed by Dr Sarah-Anne Buckley and Dr Lorraine Grimes, and the final bibliography was compiled by Alice Mulhearn and Dr Sarah-Anne Buckley. The current bibliography is a draft document, a living document and we welcome all additional entries which can be sent to sarahanne.buckley@nuigalway.ie. We would ask that people send the entries in a Word document and suggest sections in which individual publications should be placed. We also encourage people to send any omissions they may see as this is a collabortive project.

Throughout the Decade of Centenaries, significant efforts have been made to include women in the historiography, with much of the discourse related to the absence of women and ‘missing histories’.

Yet we know that many survey histories have neglected the history of women, even though women’s history has been a prominent field in Ireland since the 1970s, solidified with the formation of the WHAI in 1987. Why is it only in recent years that the work of women’s and gender historians has been given greater visibility? And how can this be further promoted?

The aim of this bibliography is to make this work, work done primarily by women, more visible to the media, politicians, and the public; as despite the longevity and ongoing work women’s and gender historians, much of this work continues to be undermined and under-cited.

Use the links below to search the bibliography by category:

Antosik-Parsons, Kate, Till, Karen E., Kearns, Gerry, Callan, Jack and McDonald, Niamh. 2022. ‘Leading Change: Reproductive Rights, Empowerment and Feminist Solidarity in the Dublin Bay North Repeal the 8th Campaign’ Feminist Encounters: A Journal of Critical Studies in Culture and Politics, Special Issue on Repealing the 8th: Irish Reproductive Activism, Volume 6, Issue 1, Article No: 06, 1-15.

McDonald, Niamh, Antosik-Parsons, Kate, Till, Karen E., Kearns, Gerry and Callan, Jack. 2020. ‘Campaigning for Choice: Canvassing as Feminist Pedagogy in Dublin Bay North’ in After Repeal: Rethinking Abortion Politics,eds. Kath Browne and Sydney Calkin, 124–143. London: Zed Books.

Brewer, Michelle. 1995. ‘Abortion on the Island of Ireland: Crisis, Contradiction, and Colonization’. Canadian Psychological Association, Section on Women and Psychology.

Callan, Maeve B. 2012. ‘Of Vanishing Fetuses and Maidens Made-Again: Abortion, Restored Virginity, and Similar Scenarios in Medieval Irish Hagiography and Penitentials’. Journal of the History of Sexuality 21 (2): 282–96.

Clarke, Alan. 1987. ‘Moral Reform and the Anti-Abortion Movement’. The Sociological Review 35 (1): 123–49.

Connolly, Linda. 2020. ‘Explaining Repeal: A Long-Term View’. In After Repeal: Rethinking Abortion Politics, edited by Sydney Calkin, 36. Zed books.

Delay, Cara. 2018. ‘Kitchens and Kettles: Domestic Spaces, Ordinary Things, and Female Networks in Irish Abortion History, 1922–1949’. Journal of Women’s History 30 (4): 11–34. https://doi.org/10.1353/jowh.2018.0040.

———. 2019a. ‘From the Backstreet to Britain: Women and Abortion Travel in Irish History’. In Travellin’Mama: Mothers, Mothering, and Travel. Demeter Press.

———. 2019b. ‘Pills, Potions, and Purgatives: Women and Abortion Methods in Ireland, 1900–1950’. Women’s History Review 28 (3): 479–99.

———. 2019c. ‘Wrong for Womankind and the Nation: Anti-Abortion Discourses in 20th-Century Ireland’. Journal of Modern European History 17 (3): 312–25.

Delay, Cara, and Annika Liger. 2020. ‘Bad Mothers and Dirty Lousers: Representing Abortionists in Postindependence Ireland’. Journal of Social History 54 (1): 286–305.

Girvin, Brian. 1996. ‘Ireland and the European Union: The Impact of Integration and Social Change on Abortion Policy’. Abortion Politics: Public Policy in Cross Cultural Perspective, 165–84.

Jackson, Pauline. 1983. The Deadly Solution to an Irish Problem: Backstreet Abortion. Women’s Right to Choose Campaign.

———. 1987. ‘Outside the Jurisdiction: Irish Women Seeking Abortion’. In Gender in Irish Society, 203–23. Galway University Press Galway.

Jackson, Pauline Conroy. 1986. ‘Women’s Movement and Abortion: The Criminalization of Irish Women’. The New Women’s Movement.

Jackson, Pauline, and Vicky Randall. 1987. ‘Abortion Trials and Tribulations/Pauline Jackson. The Politics of Abortion Ireland in Comparative Perspective/Vicky Randall’. University College Dublin. School of Social Justice. Women’s Studies.

Kavanagh, Ray. 2005. Mamie Cadden: Backstreet Abortionist. Mercier Press Ltd.

Mahon, Evelyn, Catherine Conlon, and Lucy Dillon. 1998. ‘Women and Crisis Pregnancy’. The Stationery.

Martin, Angela K. 2012. ‘Death of a Nation: Transnationalism, Bodies and Abortion in Late Twentieth-Century Ireland’. In Gender Ironies of Nationalism, 79–102. Routledge.

McAvoy, Sandra. 2004. ‘Before Cadden: Abortion in Mid Twentieth-Century Ireland’. In The Lost Decade: Ireland in the 1950s, Mercier, Cork, 147–64. Mercier Press.

McAvoy, Sandra. 2013. ‘Vindicating women’s rights in a foetocentric state: the longest Irish journey’. In Theory on the Edge. New York: Palgrave Macmillan, pp. 39-60. 

McAvoy, Sandra. 2008. ‘From Anti-Amendment Campaigns to Demanding Reproductive Justice: the changing landscape of abortion rights activism in Ireland 1983-2008’. In The Unborn Child, Article 40.3.3 and Abortion in Ireland: Twenty-Five Years of Protection? Dublin: Liffey Press, pp. 15-45. 

McCormick, Leanne. 2015. ‘“No Sense of Wrongdoing”: Abortion in Belfast 1917–1967’. Journal of Social History 49 (1): 125–48.

Qulity, Aideen, Catherine Conlon, and Sinead Kennedy. 2015. ‘The Abortion Papers Ireland: Volume 2’.

Rossiter, Ann. 2009. Ireland’s Hidden Diaspora: The ‘abortion Trail’ and the Making of a London-Irish Underground, 1980-2000. London: Iasc.

Side, Katherine. 2016. ‘A Geopolitics of Migrant Women, Mobility and Abortion Access in the Republic of Ireland’. Gender, Place & Culture 23 (12): 1788–99.

Smyth, Ailbhe, ed. 1992. The Abortion Papers, Ireland. Dublin: Attic Press.

Smyth, Lisa. 2015. ‘Ireland’s Abortion Ban: Honour, Shame and the Possibility of a Moral Revolution’. The Abortion Papers Ireland 2: 167–78.

Urquhart, Diane, and Lindsey Earner-Byrne. 2019. The Irish Abortion Journey, 1920-2018. Palgrave/Macmillan.

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Antosik-Parsons, Kate. 2020. ‘Touch in Irish Performance Art: Haptic Encounters in Becoming Beloved (1995) and The Touching Contract (2016)’ Scene 8 (2020), 159-174.

Antosik-Parsons, Kate. 2020. ‘Visualising the Spirit of Freedom: Irish women’s citizenship and autonomy in Amanda Coogan’s Floats in the Aether’, Review of Irish Studies in Europe, Vol. 3, No. 2, Home Rule in Ireland: New Perspectives in History, Culture, Art and Literature, 126-145.

Antosik-Parsons, Kate. 2020. ‘Women’s Troubles: Abject Femininity in Willie Doherty’s Same Difference (1990)and Closure (2005)’, Etudes Irlandaises, 45-1, Irish Arts: New Contexts, 89-102.

Antosik-Parsons, Kate. 2019. ‘A Body is a Body: The embodied politics of women’s sexual and reproductive politics in Irish art and visual culture’, in Transnational Perspectives: Women’s Reproductive and Sexual Rights, ed. Tanya Bahkru, 33-58. New York: Routledge.

Antosik-Parsons, Kate. 2018. ‘Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017)’, The Polish Journal of Aesthetics, 51, 4/2018, 79–96.

Antosik-Parsons, Kate. 2015. ‘The Development of Irish Feminist Performance Art in the 1980s and Early 1990s’ in Performance Art in Ireland: A History, ed. Áine Phillips, 175-207. London: The Live Art Agency and Intellect.

Antosik-Parsons, Kate. 2014. ‘Caoineadh na marbh: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly’, Nordic Irish Studies Journal, Vol. 13, No. 1, Special Issue: Cultural Memory and the Remediation of Narratives of Irishness, 205-221.

Antosik-Parsons, Kate. 2014.  ‘Migrancy, Mobility and Memory: Belonging and Displacement in Jaki Irvine’s The Silver Bridge (2003).’ In Heritage, Diaspora and the Consumption of Culture: Movements in Irish Landscapes, eds. Rebecca Boyd and Diane Nititham-Tunney, 135-156. New York: Routledge.

Antosik-Parsons, Kate. 2014. ‘Suppressed Voices: The Suffering and Silencing of Institutional Abuse Survivors in Áine Phillips’s Redress Performances.’ Etudes Irlandaises, 39,1, 137-152.

Antosik-Parsons, Kate. 2009. ‘Bodily Remembrances: The Performance of Memory in Recent Works by Amanda Coogan’, Artefact: The Journal of the Irish Association of Art Historians, Issue 3, 6-20.

Anderson, Linda, and Dawn Miranda Sherratt-Bado, eds. 2017. Female Lines: New Writing by Women from Northern Ireland. Stillorgan, Co. Dublin, Republmaic of Ireland: New Island Books.

Bannister, Ivy. 2021. ‘Dublin Made Me a Writer’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Barr, Rebecca Anne, Sarah-Anne Buckley, and Laura Kelly. 2015. Engendering Ireland: New Reflections on Modern History and Literature. Cambridge Scholars Publishing.

Binckes, Faith, and Kathryn Laing. 2014. ‘“Rival Attractions of the Season”: Land War Fiction, Christmas Annuals, and the Early Writing of Hannah Lynch’.

———. 2019. Hannah Lynch 1859-1904: Irish Writer, Cosmopolitan, New Woman. Cork University Press.

Boehmer, Elleke. 2017. ‘Stories of Women and Mothers: Gender and Nationalism in the Early Fiction of Flora Nwapa’. In Stories of Women. Manchester University Press.

Boland, Eavan. 1995. Object Lessons: The Life of the Woman and the Poet in Our Time. 1. publ. Manchester: Carcanet Press.

Byrne, Angela. 2019. ‘Anonymity, Irish Women’s Writing, and a Tale of Contested Authorship: Blue Stocking Hall (1827) and Tales of My Time (1829)’. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature 119: 259–81.

Cahalan, James M. 1991. ‘Forging a Tradition: Emily Lawless and the Irish Literary Canon’. Colby Quarterly 27 (1): 6.

Cahill, Susan. 2014. ‘Making Space for the Irish Girl’. In Colonial Girlhood in Literature, Culture and History, 1840–1950, 167–79. Springer.

Cairns, David, and Shaun Richards. 1988. Writing Ireland: Colonialism, Nationalism, and Culture. Manchester University Press.

Cannon, Moya. 2021. ‘Poetry: A Door Opening’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Carr, Ruth. 2021. ‘I May Be Silent, But’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Celia de Fréine. 2021. ‘Becoming the Writer I Am’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Chuilleanáin, Eiléan Ní. 1997. ‘Eiléan Ní Chuilleanáin’. In Modern Irish Writers: A Bio-Critical Sourcebook, 274. Greenwood Publishing Group.

Collins, Lucy. 2012. Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press.

Colman, Anne Ulry. 1996. Dictionary of Nineteenth-Century Irish Women Poets. Tarquin.

Congáil, Ríona Nic. 2009. ‘“ Some of You Will Curse Her”: Women’s Writing during the Irish-Language Revival’. In Proceedings of the Harvard Celtic Colloquium, 199–222. JSTOR.

Conlon, Evelyn. 2021. ‘Look! It’s a Woman Writer!’ In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Coolahan, Marie-Louise. 2010. Women, Writing, and Language in Early Modern Ireland. Oxford University Press.

Copeland, Caroline. 2007. ‘The Sensational Katherine Cecil Thurston: An Investigation into the Life and Publishing History of a’New Woman’author’. Edinburgh Napier University.

Coughlan, Patricia, and Tina O’Toole. 2008. Irish Literature: Feminist Perspectives. Peter Lang.

Cullingford, Elizabeth. 2001. Ireland’s Others: Ethnicity and Gender in Irish Literature and Popular Culture. Vol. 10. Critical conditions: Field Day essays & monographs.

Cullingford, Elizabeth Butler. 1990. ‘’Thinking of Her… as… Ireland’: Yeats, Pearse and Heaney’. Textual Practice 4 (1): 1–21.

Cusack, Tricia, and Sighle Bhreathnach-Lynch, eds. 2017. Art Nation and Gender: Ethnic Landscapes, Myths and Mother-Figures. London: Routledge. https://doi.org/10.4324/9781315192857.

Dawe, Gerald. 2018. The Cambridge Companion to Irish Poets. Cambridge University Press.

Dawson, Janis. 2015. ‘Rivaling Conan Doyle: LT Meade’s Medical Mysteries, New Woman Criminals, and Literary Celebrity at the Victorian Fin de Siecle’. English Literature in Transition, 1880-1920 58 (1): 54–72.

Deane, Seamus, Angela Bourke, Andrew Carpenter, and Jonathan Williams. 2002. The Field Day Anthology of Irish Writing. Vol. 5. NYU Press.

Denning, Laurie Langlois. 2018. LT Meade’s Avaricious Anomaly: Madame Sara, British Imperialism, and Greedy Wolves in The Sorceress of the Strand. Brigham Young University.

Devlin, Anne. 2021. ‘Swimming in History’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Devlin, Martina. 2021. ‘Foreward’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

D’hoker, Elke. 2020. ‘Daughters, Death and Despair in Ethel Colburn Mayne’s Short Stories’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Dhuibhne, Éilís Ní. 2021a. ‘Introduction’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

———. 2021b. ‘The Dream Itself Enchanted Me’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Doak, Naomi. 2016. ‘“The Blind Side of the Heart”: Protestants, Politics, and Patriarchy in the Novels of FE Crichton’. In Irish Women’s Writing, 1878–1922. Manchester University Press.

Dorcey, Mary. 2021. ‘Why?’ In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Dunne, Catherine. 2021. ‘Writing for My Life’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Edwards, Heather. 2008. ‘The Irish New Woman and Emily Lawless’s Grania: The Story of an Island: A Congenial Geography’. English Literature in Transition, 1880-1920 51 (4): 421–38.

Epplé, Colette Eileen. 2010. Katharine Tynan’s Literature for Children and the Construction of Irish Identity. Catholic University of America.

Fischer, Lucy. 2014. Shot/Countershot: Film Tradition and Women’s Cinema. Vol. 961. Princeton University Press.

Fitzsimons, Eleanor. 2017. Wilde’s Women: How Oscar Wilde Was Shaped by the Women He Knew. ABRAMS.

Flynn, Deirdre. 2019. ‘“Come up to a Place like This?”The Problem with Seeking Sanctuary in the Rural in Mary Lavin’s Short Stories’. Irish University Review 49 (2): 218–28.

Foster, Shirley, and Judy Simons. 1995. What Katy Read: Feminist Re-Readings of” Classic” Stories for Girls. University of Iowa Press.

Fréine, Celia de. 2021. ‘Becoming the Writer I Am’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Ghlinn, Áine Ní. 2021. ‘The Smell of Old Books’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Gillespie, Raymond. 2009. ‘The Blessed and the Damned: Sinful Women and Unbaptised Children in Irish Folklore’. The Catholic Historical Review 95 (3): 577–78.

Gonne, Maud. 1990. ‘Ireland’s Joan of Arc’. London: Pandora.

Griffin, B. 2005. ‘A Forgotten Meath Author: Katherine Frances Purdon’. Ríocht Na Midhe 16: 142–69.

Haberstroh, Patricia Boyle, and Christine St Peter. 2007. Opening the Field: Irish Women: Texts and Contexts. Cork University Press.

Hansson, Heidi. 2007. Emily Lawless 1845-1913: Writing the Interspace. Cork University Press.

———. 2008a. New Contexts: Re-Framing Nineteenth-Century Irish Women’s Prose. Cork University Press. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-9434.

———. 2008b. ‘Patriot’s Daughter, Politcian’s Wife: Gender and Nation in M. E., Francis’s Miss Erin’’. In New Contexts: Re-Framing Nineteenth-Century Irish Women’s Prose, 109–24. Cork University Press.

———. 2016. ‘Nature, Education, and Liberty in The Book of Gilly by Emily Lawless’. In Irish Women’s Writing, 1878–1922. Manchester University Press.

Hansson, Heidi, and James H. Murphy. 2014. Fictions of the Irish Land War. Peter Lang Publishing Group.

Harper, Catherine. 1999. ‘Re/Dressing Cathleen: Contemporary Works from Irish Women Artists’. Irish Studies Review 7 (3): 427–28. https://doi.org/10.1080/09670889908455647.

Harris, Mary N. 1995. ‘Beleaguered but Determined: Irish Women Writers in Irish’. Feminist Review 51 (1): 26–40.

Harrison, Bridget. 2021. ‘The “Nun” as Narrative: Religion, Writing and Reputation in the Life of Mary Francis Cusack’. Women’s History Review 0 (0): 1–21. https://doi.org/10.1080/09612025.2021.1908494.

Harte, Liam. 2018. A History of Irish Autobiography. Cambridge University Press.

Hewitt, Seáa. 2020. ‘Emily Lawless: The Child as Natural Historian’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Hillan, Sophia. 2021. ‘Apostrophe’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Hughes, Patricia. 2014. An Analysis of Selected Poetry by William Butler Yeats between 1918 and 1928.

———. 2018a. HISTORY OF MY FAMILY: W b Yeats’s ‘Leda’, Her Murder and Why He Abandoned His Son. Place of publication not identified: HUES Books LTD.

———. 2018b. ‘The History of My Family: WB “Leda”, Her Murder and Why He Abandoned His Son’. Studi Irlandesi. A Journal of Irish Studies 8 (8): 273–302.

———. 2019. Who Killed Honor Bright?

Ingman, Heather. 2013. Irish Women’s Fiction: From Edgeworth to Enright. Irish Academic Press.

Innes, Catherine Lynette. 1993. ‘Woman and Nation in Irish Literature and Society, 1880-1935’.

Jamison, Anne. 2016. EΠSomerville and Martin Ross: Female Authorship and Literary Collaboration. Cork University Press.

———. 2017. ‘Women’s Literary History in Ireland: Digitizing The Field Day Anthology of Irish Writing’. Women’s History Review 26 (5): 751–65.

———. 2020. ‘“Hunters in Red Coats”: The Irish New Girl in Edith Somerville’s “Little Red Riding-Hood in Kerry” (1934)’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Janssen, Lindsay. 2020. ‘From Special Correspondence to Fiction: Veracity and Verisimilitude in Margaret Dixon McDougall’s Writings on Ireland’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Kao, Wei H. 2010. ‘Remapping Protestant Women and Interracial Minorities in Christina Reid’s War Dramas’. In Irish Women at War. Irish Academic Press.

Kelleher, Margaret. 2003. ‘“ The Field Day Anthology” and Irish Women’s Literary Studies’. The Irish Review (1986-), no. 30: 82–94.

———. 2016. ‘“An Irish Problem”: Bilingual Manoeuvres in the Work of Somerville and Ross’. In Irish Women’s Writing, 1878–1922. Manchester University Press.

Kelso, Charlotte. 2020. ‘The Body as Interface: New Woman Identity in George Egerton’s “The Regeneration of Two”’. Australasian Journal of Victorian Studies 23 (1): 80–93.

Kickham, Lisbet. 2004. Protestant Women Novelists and Irish Society 1879–1922. Department of English, Lund University.

Kilfeather, Siobhán Marie. 1989. ‘Strangers at Home’: Political Fictions by Women in Eighteenth Century Ireland. Princeton University.

Laing, Kathryn. 2014. ‘Intellectual Lives and Literary Perspectives: Female Irish Writing at Home and Abroad’. In Knowing Their Place? The Intellectual and Professional Life of Women in 19th-Century Ireland. The History Press.

———. 2016. ‘Hannah Lynch and Narratives of the Irish Literary Revival’. New Hibernia Review 20 (1): 42–57.

———. 2018. ‘“Only Connect”: Irish Women’s Voices, Latin America & the Irish Women’s Writing Network’. Irish Migration Studies in Latin America 9 (1).

Laing, Kathryn, and Sinéad Mooney. 2020a. ‘Introduction: “A Palpable Energy”’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

———, eds. 2020b. Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Studies in Irish Literature, Cinema and Culture, no. 1. Brighton: Edward Everett Root Publishers.

Leeney, Cathy. 2010. Irish Women Playwrights, 1900-1939: Gender & Violence on Stage. Vol. 9. Peter Lang.

Lloyd, David. 1993. Anomalous States: Irish Writing and the Post-Colonial Moment. Duke University Press.

Loeber, Rolf, and Magda Stouthamer-Loeber. 2005. ‘Literary Absentees: Irish Women Authors in Nineteenth-Century England’. The Irish Novel in the Nineteenth Century: Facts and Fictions, 167–86.

Loeber, Rolf, Magda Stouthamer-Loeber, and Anne Mullin Burnham. 2006. A Guide to Irish Fiction, 1650-1900. Four Courts PressLtd.

McAvoy, Sandra. 2015. ‘The Wild Irish Girl in Selected Novels of Mrs L. T. Meade’. In Adolescence in Modern Irish History: Innocence and Experience (Palgrave Studies in the History of Childhood). Basingstoke: Palgrave Macmillan, pp.63-81. Mac Cana, Proinsias. 1980. ‘Women in Irish Mythology’. The Crane Bag 4 (1): 7–11.

Madden, Janet. 1984. Woman’s Part: An Anthology of Short Fiction by and about Irish Women, 1890-1960. Arlen House.

Mahony, Jane, and Eve Patten. 2016. ‘“Breaking Away”: Beatrice Grimshaw and the Commercial Woman Writer’. In Irish Women’s Writing, 1878–1922. Manchester University Press.

Maume, Patrick. 2015. ‘Containing Granuaile: Grace O’Malley in Two Nineteenth-Century Novels’. New Hibernia Review 19 (1): 98–114.

———. 2016. ‘Works, Righteousness, Philanthropy, and the Market in the Novels of Charlotte Riddell’. In Irish Women’s Writing, 1878–1922. Manchester University Press.

———. 2020. ‘Education, Love, Loneliness, Philanthropy: Erminda Rentoul Esler’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

McClellan, Ann. 2006. ‘Dialect, Gender, and Colonialism in The Real Charlotte’. Etudes Irlandaises 31 (1): 69–86.

McDowell, Dorothea. 2014. Ella Young and Her World: Celtic Mythology, the Irish Revival and the Californian Avant-Garde. Academica Press.

McGuckian, Medbh. 2021. ‘A Poet’s Life’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

McHugh, Roger. 1953. WB Yeats: Letters to Katharine Tynan. Clonmore and Reynolds.

Meaney, Gerardine. 2000a. ‘Decadence, Degeneration and Revolting Aesthetics: The Fiction of Emily Lawless and Katherine Cecil Thurston’. Colby Quarterly 36 (2): 9.

———. 2000b. ‘Identity and Opposition: Women’s Writing, 1890-1960’. The Field Day Anthology of Irish Writing 5: 976–81.

———. 2004. ‘Regendering Modernism: The Woman Artist in Irish Women’s Fiction’. Women: A Cultural Review 15 (1): 67–82.

Mentxaka, Aintzane Legarreta. 2020. ‘“Modernist Silence” in Irish New Woman Fiction Aintzane Legarreta Mentxaka’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Mills, Lia. 2005. ‘Boarders’. The Dublin Review, no. 21 (Winter).

———. 2006. ‘The Crab’. The Dublin Review, no. 25 (Winter).

———. 2008. ‘You Think You’re Different?’ The Dublin Review, no. 32 (Autumn).

———. 2014. ‘Hidden Irelands’. DRB. November 2014. https://drb.ie/articles/hidden-irelands/.

———. 2015. ‘Crib’. In Winter Pages, edited by Kevin Barry and Olivia Smith. Vol. 1. Curlew Editions.

———. 2016a. ‘It Could Be You’. In In the Wake of the Rising, edited by Sean O’Reilly. Vol. 33. Stinging Fly Press.

———. 2016b. Pieces of Mind. Farmleigh House.

———. 2017. In Your Face. Penguin Ireland.

———. 2018. ‘“In Full Voice”: An Extended Interview with Celia de Fréine’. Irish University Review 48 (2).

———. 2021. ‘The Flowering’. Dublin Review of Books. May 2021. https://drb.ie/articles/the-flowering/.

———. n.d. ‘The World Split Open’. In Look! It’s a Woman Writer: Irish Literary Feminisms 1970-2020, edited by Éilís Ní Dhuibhne. Arlen House.

Mills, Lia, and Declan Meade. 2016. ‘Passionate Midnights, Perfect Jars’. In Beyond the Centr. New Island.

Mitchell, Angus. 2020. ‘Historical Revisit: Mythistory and the Making of Ireland: Alice Stopford Green’s Undoing’. Irish Historical Studies 44 (166): 349–73.

Montgomery, Barry. 2020. ‘Hannah Berman: Jewish Lithuania and the Irish Literary Revival’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Moroney, Nora. 2018. ‘Gendering an International Outlook: Irish Women Writers in the Nineteenth Century’. Victorian Periodicals Review 51 (3): 504–20.

Morrissy, Mary. 2021. ‘Cringe’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Moruzi, Kristine, and Michelle Smith. 2014. Colonial Girlhood in Literature, Culture and History, 1840-1950. Springer.

Murphy, James H. 2000. ‘Things Which Seem to You Unfeminine”: Gender and Nationalism in the Fiction of Some Upper Middle Class Catholic Women Novelists, 1880–1910’’. Border Crossings: Irish Women Writers and National Identities, 58–78.

Murphy, Maureen. 2004. ‘More than a Laundry List’. Irish Literary Supplement 24 (1): 6–8.

Ni Bhrolchain, Muireann. 1980. ‘Women in Early Irish Myths and Sagas’. The Crane Bag 4 (1): 12–19.

Ní Chuilleanáin, Eiléan, ed. 1985. Irish Women: Image and Achievement: Women in Irish Culture from Earliest Times. Dublin, Ireland: Arlen House.

Ní Dhuibhne, Éilís, ed. 2021. Look! It’s a Woman Writer! Irish Literary Feminisms, 1970-2020. Dublin: Arlen House.

O’Connor, Pat. 1998. Emerging Voices: Women in Contemporary Irish Society. Institute of Public Administration.

O’Connor, Theresa. 1996. The Comic Tradition in Irish Women Writers. University Press of Florida.

O’Donnell, Mary. 2021. ‘Bohemia, Bohemia’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

O’Leary, Philip. 1987. ‘The Honour of Women in Early Irish Literature’. Ériu 38: 27–44.

O’Malley, Mary. 2021. ‘Notes on the Early Days’. In Look! It’s a Woman Writer! Irish Literary Feminisms 1970-2020. Arlen House.

Pethica, James. 2004. Lady Gregory’s Abbey Theatre Drama: Ireland Real and Ideal. na.

Pilz, Anna, and Whitney Standlee, eds. 2016. Irish Women’s Writing, 1878-1922: Advancing the Cause of Liberty. Manchester: Manchester University Press.

Prunty, Brendan. 2009. ‘This Irish Fiction of Emily Lawless: A Narrative Analysis’. National University of Ireland Maynooth.

Reilly, Ciarán. 2018. ‘Mildred Darby’s Novel, The Hunger’. In Women and the Country House in Ireland and Britain, edited by Terence Dooley, Maeve O’Riordan, and Christopher Ridgway. Four Courts Press.

Reznicek, Matthew. 2020. ‘A Thing of Possibilities: The Railroad, Space, and Belonging in Katherine Cecil Thurston’s Max’. In Irish Women Writers at the Turn of the Twentieth Century: Alternative Histories, New Narratives. Edward Everett Root Publishers.

Reznicek, Matthew L. 2017a. ‘He Should Go to the Théâtre François: Paris, the Theater, and Maria Edgeworth’s Ormond’. In Traveling Irishness in the Long Nineteenth Century, 141–62. Springer.

———. 2017b. The European Metropolis: Paris and Nineteenth-Century Irish Women Novelists. Oxford University Press.

Richards, Maura. 1998. Single Issue. Dublin: Poolbeg.

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